Art Review

Inglewood Open Studios 2018 Review
Off the beaten path of commercial art galleries in the city of Inglewood is a network of artist studios with an annual weekend “open house”. Exploring the open studios with no expectations, I was astounded at the artistic liberty and mastery of many of the artists. In the process of creating for the sake of
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‘River of Styx’ by Peter Williams @ Luis De Jesus Los Angeles & ‘Gap in the Net’ by Alex Roulette
Recently within the Arts District of Culver City there was one disappointing and one intriguing opening. River of Styx by Peter Williams at Luis De Jesus Los Angeles unfortunately smudged the sacred artistic landscape with brutish political dogma, rendering no public outlet of common life safe. Is the whole of human existence rendered to just
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‘Recent Paintings’ by William Lane @ FIG
William Lane presents a provocative return to mid-century minimalism at FIG. To be honest, I was initially worried we would be seeing nothing but derivatives of that long-ago foray by 20th century artists into finding, almost akin to a scientific methodology, an irreducible complexity to the aesthetic form of color. As is typical with minimalism,
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Ai Weiwei: Zodiac @ Jeffrey Deitch Gallery
The opening of Jeffrey Deitch’s Los Angeles Gallery of the artist Ai Weiwei does well to showcase the expansiveness of the space. The 15,000 square feet gallery is phenomenally curated, most notably with the center-piece Stools acting as not only the anchor-point and talking piece but as a center stage for which the entire exhibition
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Michael Arntz @ The Landing
In an unnamed exhibition with perhaps an unnamed collection of artworks, Mr. Michael Arntz puts forward a rare breed of meticulous depth to his compositions at The Landing while simultaneously interconnecting each piece to portray a larger commentary on immigration. What makes the narration purely aesthetic and an anvil which hammers away at any suspicions
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Chinatown Arts District
In Los Angeles there is typically a flurry of art openings the weekend immediately following Labor Day. It is the ignition to a new art season after the phlegmatic slumber of summer. I dropped by the formidable Tieken Gallery to catch a glimpse of the old and new.   View this post on Instagram A post
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‘Made in LA’ 2018 @ The Hammer Museum – Review
In the most recent show at The Hammer Museum titled ‘Made in LA’, there was a potpourri of works that most provocatively were racially charged, yet the strongest works by Charles Long created an atmosphere of mysticism which made the visit worthwhile in itself. It is not to say, however, that the racial works (despite
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‘It Seems to Be True’ by Chris Madans @ FIG Gallery
In a hyper-digital age where being human has been more and more transported into ephemeral pushes of graphical buttons to be forgotten amidst oceans of media creation, Chris Madans responds in a thrillingly ingenious manner. In this exhibition at First Independent Gallery, she subtlety offers a rebuking counterweight, swaying like a lethargic pendulum the subjective
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‘Covenant’ by Allen Williams @ CoproGallery
Is it good to contemplate death? There is the presumption of its permanence to the human condition, which can be considered merely an extension of the permanently unknowable. It is a pessimism, however, to the most extreme degree to meditate on death, which can pose startling to those so accustomed to a positive outlook. And
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GR2: 15 Year Anniversary
Last Saturday night housed an eclectic array of art and media at the Giant Robot Store 15th Anniversary. Most fertile was the continuing trend of childhood nostalgia (see recent reviews here and here) as a method of tranquilizing the fear of the unknown which resonates with the ostensible contemporary tumult. Like many works in this style,
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