Art Review

Abe Begalin Solo Show
Abe Begalin took possession of half of an art gallery, filling that half with viscerally imposing, even daunting, monuments to an indeterminate scientific future. It is, in his own way, a contribution to science fiction which in itself is a categorization of the fantasizing of science, more or less. And with such fantasizing of science,
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The Seductive Line: Eroticism in the Early 20th Century Germany
Modern German artists, especially enveloped in the Weimar Republic, have an eerie perspective on the nature of humanity. As is demonstrated with these etchings, there is no longer a celebration or a humanism in representing mankind. Note how historically in the West, and recharged with the Renaissance, the anthropomorphic form was consistently utilized to imagine
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Islam Now, Part 2
While missing the first installment of this exposure to another perspective of the world, I was fortunate enough to find this one, albeit quaintly installed in a side corner of one of the Los Angeles County Museum’s building. There are two immediate invocations that are summoned when walking briskly through this. The first is the
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SOCKS by Eishi Takaoka @ G2 (Giant Robot) Gallery
I have spoken before about the need for the mastery of technique to be controlled and directed in a righteous manner; that the artist should not be mired and contented with their mastery of a craft. It is simply a higher form of onanism, then, which does not reveal anything spiritually significant to the audience
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Dark Stage @ Thinkspace Gallery
Can good, if not great, artistic technique be sufficient enough a measure for good art? Is such mastery of the most fastidious detail in visual representation not an astonishment in itself? This is the challenge prompted by the artist, Adam Caldwell, who is exhibiting works that are self-described as emulating Jacques-Louis David’s intentionally theatrical spacing
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Duchamp to Pop @ The Norton Simon Museum
Duchamp to Pop attempts to link the emergence of the Pop Art phenomenon to Marcel Duchamp, the undoubtedly pioneering French artist who fed off of a shock and awe campaign of altering the definition of art, away from a purely aesthetic effort. We might consider Duchamp then the originator of artistic expression that is not
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Duchamp to Pop @ The Norton Simon Museum
Duchamp to Pop attempts to link the emergence of the Pop Art phenomenon to Marcel Duchamp, the undoubtedly pioneering French artist who fed off of a shock and awe campaign of altering the definition of art, away from a purely aesthetic effort. We might consider Duchamp then the originator of artistic expression that is not
Read more.