The Road to Perdition is the examination of the unfortunate circumstances of determining a fate which is short-sighted. It is to make aims at prosperity with short-cuts in mind. And, typical of organized crime, it is accepted that such a fate is a certainty. Perhaps this is why this film is so refreshing – the […]

Nostalgia permits one to reflect on present tribulations with a halcyon past. It may, in the instance of Teenage Mutant Ninja Turtles, invoke a joy of an ostensibly simpler era of Walkman cassette tapes and the thrill of $10 large pepperoni pizzas. But from a more cinematic perspective, nostalgia harkens us to remember when commercial […]

In a superb remedy to class conscious strife which has been ever present in contemporary Western culture since the 2008 financial crisis, The English Game warrants the possibility of righteous nobility principally because of the righteous potency available within every individual, regardless of how well fed they are. The short mini-series (or teleplay as the […]

Mr. Malick has done it again. What I mean is that he has shifted his director’s eye toward another element of the human condition. Where before he might have been contemplating man’s role in the cosmos, here, he is much more down to Earth, pensively tasking to reveal the character of human freedom. Yet, Mr. […]

Can communism ever exist peacefully on the planet Earth? The Death of Stalin does not try to examine such a question, though we can’t help but see plainly the absurdity of the socialistic attempt to bring Paradise to the present world. All that happens as a consequence of overthrowing the bourgeoisie and chimerical capitalist order […]

In Charlie Kaufmann’s Anomalisa, the last whimpers of Nietzsche’s Last Man are seen visible. His is the nadir of the Christian faith and the imperiousness of Christendom which gave the world the momentum to lift it to heights not before imaginable. This was done with the elevation of the ceiling of the pagan Nature to […]

Amidst the glorious cinematic kinetics which makes P.T. Anderson the most enjoyable of contemporary directors, Phantom Thread is a softer step taken when matched with the filmmaker’s historical march. Speaking to the aesthetic first, it is not so self-involved with painting majestic cinematic sequences of human vivacity. I find this to be disappointing, as the […]

The Shape of Water ought to go down as a quintessential example of the contemporary Western society’s soakage in the dredges of Christian history, wherein the concept of mankind is rejected and vilified in a film-noir setting. Yet it must be said that we have another splendid example of the marquee art direction, cosmetics, and […]

Magnolia is one of P.T. Anderson’s earlier works and it is easily his darkest. Mr. Anderson innovatively wires together the inanities and hideousness of commercial entertainment, i.e. “Show Business”, with a seriously negative outlook on the reality which its humans inhabit. The film looks at the dark side of human agency in nearing the advocacy […]

The Disaster Artist is a fun romp yet a continuation of a tired exercise in Hollywood narcissism which creates a general banality. There is no blemish per se with the film – its production quality is terrific, from the intimate direction which works to give a raw aesthetic, to the acting talent which are cast […]