by Joseph A. Hazani May 6, 2019
With Zevitas Marcus’ latest opening, Daniel B. Dias most poignantly coyly and playfully critiques our contemporary society head-lurching over blue screens with his eponymous exhibition. We have faint resemblances of surreal gestures which intensify the odd absurdities of our current lives being over-powered with electronic power, no doubt changing our sense of being human, which Mr. Dias is....
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by Joseph A. Hazani May 4, 2019
Amadea Bailey’s Expressions currently exhibiting at Fabrik Projects brings forth a more sanguine effort at the pioneering stylistic work of Basquiat. The latter artist preferred to drench his canvases in darkness; purely for contrasting purposes no doubt, but it perennially leaves one ruminating on a shadowy expressiveness which matches the artists own tormented temperament. Nevertheless, his....
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by Joseph A. Hazani May 4, 2019
Andreas Breunig’s The Windowing System – as a (hyperstatic) problemopening at Nino Mier Gallery presents a fine connection and indeed continuation of the Western Fine Arts tradition through the clever use of the novel “windowing” technique. By placing his canvas in geometrical constructions, the artworks, most emphatically the triad of Hi_LoRes_46, Hi_LoRes_52, and Hi_LoRes_58,....
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