by Joseph A. Hazani September 21, 2017
Please Excuse My Dear Aunt Sally playing at the Odyssey Theatre is yet another challenging contemporary play with its extreme abstraction of narrative. And the abstraction of the story, rather than physically acted out, is not a gimmick nor is it a necessary evil to bring to life a small-budget play that can only do so with minimalist story-telling (by contrast the original New York performance....
Continue reading
by Joseph A. Hazani September 20, 2017
What was most attractive with the Moiré Fringe opening, and of the Santa Monica Art Studios in general, was the intrepidness in exhibiting sculptural artworks. Contemporary sculptural art is in indeterminate ground, an unfortunate victim of the transience of post-modernism’s general blemish upon High Art and the objective of discerning a fundamentally aesthetic piece; not one that is....
Continue reading
by Joseph A. Hazani September 17, 2017
In a very challenging play, Carmen Disruption is a meditation on the dispossession of contemporary human life. Most especially is the disconnection between humans in a society. It’s a very intriguing thought to ponder the fact a city society is comprised of a multitude of strangers to one another. How close and yet how far apart each one is from resembling anything like a community or village....
Continue reading