In an unnamed exhibition with perhaps an unnamed collection of artworks, Mr. Michael Arntz puts forward a rare breed of meticulous depth to his compositions at The Landing while simultaneously interconnecting each piece to portray a larger commentary on immigration. What makes the narration purely aesthetic and an anvil which hammers away at any suspicions of social critique is the captivating....

In Los Angeles there is typically a flurry of art openings the weekend immediately following Labor Day. It is the ignition to a new art season after the phlegmatic slumber of summer. I dropped by the formidable Tieken Gallery to catch a glimpse of the old and new.   View this post on Instagram A post shared by Joseph Hazani (@jhazani) on Sep 17, 2018 at 2:24pm PDT....

In the most recent show at The Hammer Museum titled ‘Made in LA’, there was a potpourri of works that most provocatively were racially charged, yet the strongest works by Charles Long created an atmosphere of mysticism which made the visit worthwhile in itself. It is not to say, however, that the racial works (despite being critically acclaimed) were examples of bad art. Only that, when....