by Joseph A. Hazani October 29, 2016
Modern German artists, especially enveloped in the Weimar Republic, have an eerie perspective on the nature of humanity. As is demonstrated with these etchings, there is no longer a celebration or a humanism in representing mankind. Note how historically in the West, and recharged with the Renaissance, the anthropomorphic form was consistently utilized to imagine myths and represent the....
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by Joseph A. Hazani October 29, 2016
While missing the first installment of this exposure to another perspective of the world, I was fortunate enough to find this one, albeit quaintly installed in a side corner of one of the Los Angeles County Museum’s building. There are two immediate invocations that are summoned when walking briskly through this. The first is the overarching drapery of the old Islamic art motif, which I will....
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by Joseph A. Hazani October 29, 2016
I have spoken before about the need for the mastery of technique to be controlled and directed in a righteous manner; that the artist should not be mired and contented with their mastery of a craft. It is simply a higher form of onanism, then, which does not reveal anything spiritually significant to the audience which the artist is expressing himself to, and instead is but a demonstration of....
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