The apex of Woody Allen’s genius, Annie Hall swiftly, gently, harmoniously dusts over an existential question, like a pastry chef brushing filo dough with butter: why bother with human relationships?   While intersecting with the main thesis in the recent Her by Spike Jonze, the similarities end there. Annie Hall exposes the erraticism of […]

While noticeably better than As Good As It Gets, Something’s Gotta Give still holds a commercial pretense, a sense of manufactured aesthetic, that occupies the film from beginning to end. This includes a story which is not terribly captivating, but most interesting, is the presentation of the modern female’s impression of romance.   Yes, this […]