It has become a law of nature to follow Jesse Eisenberg’s projects. And The Double simply confirms it. While the setting veers too much into Brazil dystopic hysteria, simply with a dash of Fight Club thrown into the bowl before all the ingredients are mixed, there still is an intricate blend at work here. […]

  This is a challenging work, but not as challenging toward becoming a David Lynch mindfuck. Meaning, the writer/director spares us from the headache of having to transcend the expected cinematic grammar that has been used since the artistic medium’s creation and has predictably been accorded based on its rational correspondence with the ordering of […]