‘Betrayal’ by Harold Pinter @ City Garage Theatre
What happens when the motions of triviality lead to human sagas deflating into tepid secret gardens that only the soul and not the world-soul enjoys? And yet, even amidst such adulterous luxuriants such as Pied-à-terres and habits of practicing Italian, is not the world benefiting in gross domestic product? With such acquiescence of the
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‘Insulted. Belarus’ by Andrei Kureichik @ City Garage Theatre
What is rightful authority? Such an audacious question is posed by the superbly balanced humor of Insulted. Belarus at City Garage Theatre in what is a consistently portrayed disappointed of voter’s rights not being honored. Yet is the will of the majority always healthy? The play, written by Andre Kureichik (with translation by John
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‘Our Dear Dead Drug Lord’ @ Kirk Douglas Theatre
In what demonstrates to be a spectacular fiasco in the education system in the United States of America, four teenage girls delight in finding worship in a drug warlord in Our Dear Dead Drug Lord by Alexis Sheer. Not in the Prince of Peace as their ancestors were informed by… That the government may be
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‘Ghost Land’ by Andriy Bondarenko @ City Garage
In a rapid-response portrayal of the experience of Russian overwrought into the Ukranian Nationhood, the disruption of perfectly innocent life is witnessed in a contemporary setting which reverberates with the tasteful judgment on the sincere reality of war bringing the soul of man below and not above the terrestrial plane of tooth and claw.
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‘The Penelopiad’ @ City Garage Theatre
The Penelopiad by Margaret Atwood at City Garage Theatre (directed by Frédérique Michel) presents us a comparative storyline to the Greek Heroic Epic Poem The Illiad by Homer – the poet which Plato referred to as the Teacher of the Greeks. It is in this heritage or inheritance of the story which Ms. Atwood provides
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‘Beach People’ by Charles A. Duncombe @ City Garage Theatre
Where is happiness found if not on a beach? It is that irony that is the center-piece to the theatrical excitement and excellently florid script of Beach People written by Charles A. Duncombe, directed by Frédérique Michel, premiering at City Garage Theatre. While transparently proud in its existentialist reduction to being contemporary man, the play
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