Future Feminine Art Review @ The Fahey/Klein Gallery   The Fahey/Klein Gallery had a massive art party Saturday night which no doubt was assuaged by the conjointly held “Women’s March” the same day. The emphasis here was on photographic depictions of the feminine form, but most intriguing was the direction in which feminism was being directed. I can’t help but juxtapose this....

Rodrigo Branco held an opening titled Molding A Hard Rock at Lois Lambert Gallery. Aside from the bright-eyed, apple-dunking plunge into the primary color yellow which sparkled wonder because of its paradoxical audacity, the portraits Mr. Branco painted bring forward an unheralded technique: the broad brushstrokes of facial obscurity.   A post shared by Joseph Hazani (@jhazani)....

The Shape of Water ought to go down as a quintessential example of the contemporary Western society’s soakage in the dredges of Christian history, wherein the concept of mankind is rejected and vilified in a film-noir setting. Yet it must be said that we have another splendid example of the marquee art direction, cosmetics, and wardrobe that can only be bestowed for artistry through the mass....