In Mr. Antonio Adriano Puleo’s Una Cosa È Una Cosa at Lowell Ryan Projects, we are confronted with a positive query on the stature of originality when working with geometrical precepts. The circle, the square, the parallelogram, even the line, have all been done before. What then, to make of a work which composes them all in a flurry, yet methodically? Is it a good thing to produce for our....

In an irreverent and highly conceptualized play, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney by Lucas Hnath and Directed by Peter Richards at Odyssey Theatre Ensemble helps bring us into the imaginary world of a man whose imagination is his dominion. It is in the exercise of his imaginary faculties which give so many children timeless memories of joy, of play, of....

When Weeds Bloom portrays a collection of artworks by Mr. Pieter Jennes at Nino Meir Gallery that, in a word, achieve the difficult feat of balancing the mirthful with the somberness of neutral gray tones. We do not have an ecstasy of jubilee, yet we simultaneously do not have dreariness in the universal setting of what amounts to a taciturn reflectance of Antwerp grey as his “carnivalesque”....