by Joseph A. Hazani April 23, 2022
When Weeds Bloom portrays a collection of artworks by Mr. Pieter Jennes at Nino Meir Gallery that, in a word, achieve the difficult feat of balancing the mirthful with the somberness of neutral gray tones. We do not have an ecstasy of jubilee, yet we simultaneously do not have dreariness in the universal setting of what amounts to a taciturn reflectance of Antwerp grey as his “carnivalesque”....
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by Joseph A. Hazani April 9, 2022
In a presentation of a clear extension at originality, Ms. Franziska Goes at Moskowitz Bayse Gallery demonstrates to us the concept of self-reliance in forming a transcendental object through her self-reflectance upon the Natural elements. It is in her amalgam of Natural form with a vexing balancing act of imbuing her compositions with technical elements, to give rise to an appropriate....
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by Joseph A. Hazani April 8, 2022
Ms. Alissa Warshaw at Matter Studio Gallery presents us a new form of sensual originality with her opening exhibition Intangible Matter. The idea of concentricity brings with it a sense of focus, and with focus we understand a consistency in aim. Yet what aim is Ms. Warshaws? Her modest compositions – both in scale and paper weight – yield an airiness, a feathery calm with draped watercolors....
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