by Joseph A. Hazani October 9, 2022
In a continual debasement of the Western Fine Arts tradition, Contemporary Art Museum Chicago had the efficacious demonstration of the affirmation of death: Illiteracy. 'Untitled'Softground etchings, aquatint, spit bite and sugar lift on paperFour parts, each framed: 28 7/8 × 20 5/8 in. (73.3 × 52.4 cm)Gift of Sandra P. and Jack....
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by Joseph A. Hazani October 7, 2022
Mr. Jeff Hirst presents us with a meditation on certainty in his staunchly thickly-wooded compositions at Addington Gallery. His examinations on the essence of structure gives us tremendous elasticity in the idea, from the gradients of paint thickness to the boisterousness of certain shapes in the composition. Yet it is from this thought of boisterous which we appropriately lack a sense of....
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by Joseph A. Hazani October 4, 2022
The daring simplicity of Mr. Neil Goodman at Carl Hammer Gallery informing the perceiver with transcendental forms which provide substance to balance in achieving the idea of solid is a profound truth to the world-idea of the visible form and its necessity in achieving naturally healthy perceptions of the world, or an ideal correspondence to a naturally visible reality. Glide2018 - 2021Cast....
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