by Joseph A. Hazani May 3, 2024
Sadie Benning introduces a plasticity to paint with their choice colors and figures in their opening at Vielmetter Los Angeles. The, if I dare say, “taffiness”, of the experience of their art, provides a sumptuous mastication upon the mind’s eye in experiencing a novelty of beauty. And it is here with these abstract movements of paint which give a clarity amidst what would otherwise be....
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by Joseph A. Hazani April 13, 2024
Must the civilized be pretentious? Why cannot originality be found in the organic warmth of natural mistakes of rough lines to a human eye? And yet, are leather and leather tones, which is so geometrically stretched to bring more efforts of a returning amidst the civilized splash of regimentation dimension. Perhaps it is in measure that we find civilization’s paradox. Skin/Hide....
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by Joseph A. Hazani April 5, 2024
In an exceptional exhibition of a radical if not avante-garde representation of the tension between life and death, Ms. Claire Chambless proudly presents bold sculptural forms with a plethora of material, especially hydroxyapatite - the base material found in bone - with a subtle affirmation of living. It is in this challenging yet exhilarating representation of abstract concepts of (per Oswald....
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