by Joseph A. Hazani October 6, 2023
Lowell Ryan Projects presents us with a wonderful introduction to geometric form with their ‘Giant Country’ open by William Bradley. We are immersed with otherwise perfunctory emblems to construction exactness; even though the coarse approximations bring out more of the concept of order than the decision to be proud of man’s capable of exacting completeness in Nature (see civilized man,....
Continue reading
by Joseph A. Hazani September 30, 2023
Sean Scully presents a relaxation to paint with his daring abstract opening LA Deep at Lisson Gallery. It is in what Manly P. Hall noted “the phenomenally divisible parts” of the objects in each of the compositions which imposes such stress in creating a new, original, dawning light on tried-and-true concepts in abstract fine art. What distinguishes this strong presentation, in more than....
Continue reading
by Joseph A. Hazani September 23, 2023
Mr. Rudik Ovespyan introduces a new concept of red and an extension of a self-reliant media form with his archival opening Magaxat at Reisig and Taylor Contemporary. The modest scale and subject of his paintings permits the subject to absorb the stark contrasts of a sentimental pigment. This is one which is precious to Armenian history; one reserved for most sacred of artifact treatments, that....
Continue reading