by Joseph A. Hazani September 27, 2017
There were multiple openings on La Brea Ave Saturday night, and the two I attended provided meaningful works displayed to the audience. The first show, a solo exhibition titles A Stranger in Your Home by the artist Amir. H. Fallah at Shulamit Nazarian, was a peaceful, placating, collection whose sole subject was the Arab refugee crisis. The most positive element of the work was its intentional....
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by Joseph A. Hazani September 21, 2017
Please Excuse My Dear Aunt Sally playing at the Odyssey Theatre is yet another challenging contemporary play with its extreme abstraction of narrative. And the abstraction of the story, rather than physically acted out, is not a gimmick nor is it a necessary evil to bring to life a small-budget play that can only do so with minimalist story-telling (by contrast the original New York performance....
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by Joseph A. Hazani September 20, 2017
What was most attractive with the Moiré Fringe opening, and of the Santa Monica Art Studios in general, was the intrepidness in exhibiting sculptural artworks. Contemporary sculptural art is in indeterminate ground, an unfortunate victim of the transience of post-modernism’s general blemish upon High Art and the objective of discerning a fundamentally aesthetic piece; not one that is....
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