by Joseph A. Hazani August 28, 2022
Tanya Leighton introduces us to a new sense of ordering with Mr. Andrew Kuo’s TMI opening. The desire to represent a vivid palette admixed with cerebral musings characteristically portrays New York Fine Arts in the best light. Without being too clever, Mr. Kuo is able to achieve a level of difficulty in needing to balance beauty without snark in his fragmentation of colors in his canvases.....
Continue reading
by Joseph A. Hazani August 19, 2022
Sculpture at LA Louver presents us with a superbly eclectic blend of sculptural media which make concerted efforts at self-reliance in their craftsmanship. The media range from ceramic, wood, metal, stone, porcelain, in a range of intricacies in presenting what is best described as attempts at creating the beautiful idea. That permanently memorable extension which is attempting to strike at the....
Continue reading
by Joseph A. Hazani August 10, 2022
Where is happiness found if not on a beach? It is that irony that is the center-piece to the theatrical excitement and excellently florid script of Beach People written by Charles A. Duncombe, directed by Frédérique Michel, premiering at City Garage Theatre. While transparently proud in its existentialist reduction to being contemporary man, the play does not sink us with whiny verbosity on the....
Continue reading