10 Years LA! At Sprüth Magers introduces a reminder of the efforts at immortality represented to the conscious lens in contemporary art history. From the blaring to the reticent, there is the optical impression of uniqueness. 'Exclamation Point (Chartreuse)', 2008. Richard Artschwager.Plastic bristles on a mahogany core painted with latex165 × 66 × 66 cm | 65 × 22 × 22 inches. Courtesy....

In the return to industrial elements in the construction of the beautiful idea, Mr. Randall Reid imposes an appearance of the staunch quintessentially contained with the masculine. A grittiness in the wood-carved after contact with industrial certainty of goodness, to be reimagined onto the reliance of its use to a higher end: beauty. Arm and Hammer. Randall Reid.steel, paint.13.75 x 13 x 2....

Mr. Michael (Mike) Kelley intimates to us that outward expression of creativity with this discovery of soft in the curved form with his exhibition at Moskowitz Bayse. The radical extension of an idea itself, say with Hidden Profile, nonetheless exhibits that consistency with the Untitled in oblong. Where the radical is sensitive to minute, while it portrays that shifting, hidden state, however....