by Joseph A. Hazani September 30, 2023
Sean Scully presents a relaxation to paint with his daring abstract opening LA Deep at Lisson Gallery. It is in what Manly P. Hall noted “the phenomenally divisible parts” of the objects in each of the compositions which imposes such stress in creating a new, original, dawning light on tried-and-true concepts in abstract fine art. What distinguishes this strong presentation, in more than....
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by Joseph A. Hazani September 23, 2023
Mr. Rudik Ovespyan introduces a new concept of red and an extension of a self-reliant media form with his archival opening Magaxat at Reisig and Taylor Contemporary. The modest scale and subject of his paintings permits the subject to absorb the stark contrasts of a sentimental pigment. This is one which is precious to Armenian history; one reserved for most sacred of artifact treatments, that....
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by Joseph A. Hazani September 21, 2023
In what demonstrates to be a spectacular fiasco in the education system in the United States of America, four teenage girls delight in finding worship in a drug warlord in Our Dear Dead Drug Lord by Alexis Sheer. Not in the Prince of Peace as their ancestors were informed by... That the government may be increased, and of peace there be no end, upon the throne of David, and upon his kingdom, to....
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