by Joseph A. Hazani October 13, 2017
Flashpoint is a timely film from some thirty odd years ago. It is significantly uncanny in being able to canvas and reverberate near-identical issues that have propelled Donald J. Trump into the presidency. Most enjoyable of the entire B-film is its enmity toward the Federal State; as well as the sheer braggadocio of the members of the Border Patrol in complete uninhibited form. The film is....
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by Joseph A. Hazani October 12, 2017
Red Sand is an extremely experimental work which quite simply misses the mark. Ignoring its positive attributes, which can easily be found in the incredible performing stamina of the actors and the highly laudable sound mixing for which the performance demanded, this is an inchoate medley of emotional representation that amounts to, at best, an expansively open-ended subjective interpretation....
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by Joseph A. Hazani October 11, 2017
It was a beautiful Saturday on Washington Blvd in Culver City, which opened the world to the terrific galleries tucked away on this sleepy street flanked by some of the busiest byways in the city. The art was overwhelmingly positive, and I was fortunate to stumble upon museum-worthy art pieces from Monique Van Genderen at Susanne Vielmetter, whose work was simply breath-taking. A....
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