by Joseph A. Hazani February 19, 2023
In a mesmerizing installation at Baert Gallery, Adam Tylicki imbues us with a sense of goodness to the natural motion of ocean swells, of sea currents, of powers which move beyond the capabilities of man, with his ’20 atmospheres’ exhibition at Baert Gallery. The exhibition is first a portrayal of the cryptic achievements of submerging the metallic works in a cage, the kind one would see on a....
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by Joseph A. Hazani February 10, 2023
In an impressive collection of artwork, Craft Contemporary introduces to us an exquisite representation of the use of textured media in their Strings of Desire opening. In no way contesting each other, Erick Medel and Miguel Osuna each introduce us to the wonderful idea of embroidery to fine artwork. Moving past paints to introduce us with not simply color, but a prudential application of....
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by Joseph A. Hazani February 4, 2023
The madness of being born on a continent not out of one’s own choice but out of a history of forced removal and labor – to make it convenient to reap cotton and tobacco incomes – has an understandably irritating, infuriating, and taxing confusing stress induced upon the soul of the African-blooded. Uproot by Alison Saar at LA Louver presents a thoroughly cohesive statement using confident....
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