by Joseph A. Hazani October 18, 2017
Last Saturday held a slew of art openings on the Westside. The Bergamot Station, as usual, had a prominent exhibition of a multitude of artists in a trio of their galleries. The first on the itinerary was the several artists exhibiting at Beyond the Lines. The first which caught my eye intently was the photography of Carl Shubs. His Modeling is a wonderful elevation of what art....
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by Joseph A. Hazani October 13, 2017
Flashpoint is a timely film from some thirty odd years ago. It is significantly uncanny in being able to canvas and reverberate near-identical issues that have propelled Donald J. Trump into the presidency. Most enjoyable of the entire B-film is its enmity toward the Federal State; as well as the sheer braggadocio of the members of the Border Patrol in complete uninhibited form. The film is....
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by Joseph A. Hazani October 12, 2017
Red Sand is an extremely experimental work which quite simply misses the mark. Ignoring its positive attributes, which can easily be found in the incredible performing stamina of the actors and the highly laudable sound mixing for which the performance demanded, this is an inchoate medley of emotional representation that amounts to, at best, an expansively open-ended subjective interpretation....
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