Art Review

Lowell Ryan Projects presents us with a wonderful introduction to geometric form with their ‘Giant Country’ open by William Bradley. We are immersed with otherwise perfunctory emblems to construction exactness; even though the coarse approximations bring out more of the concept of order than the decision to be proud of man’s capable of exacting completeness

Mr. Rudik Ovespyan introduces a new concept of red and an extension of a self-reliant media form with his archival opening Magaxat at Reisig and Taylor Contemporary. The modest scale and subject of his paintings permits the subject to absorb the stark contrasts of a sentimental pigment. This is one which is precious to Armenian

In a poised showing of artwork which is brighter and bolder than her typical objectives, Ms. Teresa Baker further renders an appropriate quiet relaxation with her forms and media choices with her opening at de boer Gallery. It is in this difficult balance of a personal extension of bold colors with the cerebral attunement the

In a dazzling affair of sculptural affirmation, Mssrs. Jamelle Wright Sr. and Ramekon O’Arwisters demonstrate a self-reliant outward expression of African-American culture at Patricia Sweetow Gallery, in a way which mollifies with distinct paragonal perspectives of restless energies. For to be clear, the affirmation of life presupposes the affirmation of fine art – of that

Thomas Linder brings out a stunning testimony to industrial form with this layered and framed artistry in his Portals opening at Praz-Delavallade. It is in this bold direction, upon evaluating the possibilities of appreciating organic media from his childhood upbringing, where his efforts at affirming man’s rational powers at achieving a beautiful form beyond the