Art Review

Mr. Salomon Emquies presents us with graceful imaginary forms against coarse yet subtlety delicate backgrounds with his recent opening Michael Kohn Gallery. His wise choice in providing a mysterious sense to each one, with their graceful extensions and pseudo-psychedelic movements which swirl in a way which is not taxing, gives us that taste of serenity.

Demián Flores introduces us to the concept of nourishment with his corn concepts at his L.A. Oaxaca representation at Craig Krull Gallery. It is in this beautiful matrimony of indigenous subsistence with manufactured mass consumption which permits us to celebrate this novel extension of human imagination as it bounces along with these irreversible currents between

In what can be best described as silly, Ms. Sarit Halo introduces us the vibrancy and sweetness of bright colors at her It’s a Colorful World opening at Tierra Del Sol Gallery. It is in the unabashed enthusiasm in embracing a wonderful view of life – that of necessary levity in brightening the mind’s eye

Farbod Elkaei introduces us to a new perspective on geometrical form, with a concentration on gradient in color and measure with his “Double Take” opening at Hamzianpour & Kia Gallery. His art is one that provides a discernible contrast in the shapes which have such certain completeness in their order, yet are allowed to act

Ishi Glinksy brings out a fully ripened indigenous burst of beauty with a confidently dazzling display of textures and forms with his ‘Lifetimes that Broke the Earth’ opening at Chris Sharp Gallery. The appropriate grander of the scale of the works breathes even more animated strength to the experience of a positive wonder through the