‘Heatwork’ by Nicole Ondre @ Tanya Leighton Gallery
Nicole Ondre demonstrates a fascinating effort at self-reliant form with her ceramic sculptures at Tanya Leighton Gallery. There is a sincere daring, and therefore a necessary approbation, for her spontaneous glasseous forms inspired by knots and her affirmation of what is a beautiful shape and color. It is in this plasticity where the soft
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‘Suspirium’ by James Busby @ Lowell Ryan Projects
James Busby shines at representing finery, of creating the instance of refined in his artful compositions eloquently exhibited in his ‘Suspirium’ opening at Lowell Ryan Projects. His graphite completeness breathes a new idea to stencil formation in the visual arts. A confidence in extension with such delicate ornamentations of gentle completion. We have the human
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‘Refugio en Las Flores’ by Kiara Aileen Machado @ Launch LA
Ms. Kiara Aileen Machado triumphs in a colorful representation – indeed celebration – of indigenous Central American life with a mysteriously subtle glee in all of her jungle ideas with her Refugio en Las Flores opening at Launch LA presented by Luna Anaïs Gallery. I say glee because of the playful suggestion which is subtlety
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‘Still Wet’ Bedri Baykam @ Gloria Delson Contemporary Arts
What is the impetus of the creative burst if not to add to life? And what a simplistic statement in achieving such an extension that we have with the new editions of Bedri Baykam’s work at Gloria Delson Contemporary Art. The eloquent statements of beauty provide that staunch confidence yet without a sense of pretentiousness
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‘Deep’ by Bryan Ida @ Billis Williams Gallery
Mr. Bryan Ida gives us a beautiful meditation on human intervention in natural forces with his Deep opening at Billis Willliams Gallery. The prima facie cryptic ideal which involves precious wildlife and terraneous forms imposed with geometrical rectilineal forms is best understood as the rational extension of the human mind onto a world which forever
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‘Voice of the Sacred’ by Hyun Ae Kang @ Shatto Gallery
Hyun Ae Kang introduces to us novelty in the concept of texture with her Voice of The Sacred exhibition at Shatto Gallery. Her abundance of styles provides a satisfaction with not simply the licks off the canvas, but of smears, of glistens, of intensities in simplicity as well as in ornamentation. Hers is a delicious
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‘The Harvest’ by David Hicks @ Diane Rosenstein Gallery
What does it mean to harvest? To reap what one has sowed. In this necessarily positive fulfillment, Mr. David Hicks brings to market a delectable offering of pious meditation on the herbage fulfilled in his Central Coastal California nativity at Diane Rosenstein Gallery. It is in this honest toil towards producing what is necessary for
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Permanent Collection @ Kemper Museum of Contemporary Art
The Kemper Museum of Contemporary Art in Kansas City provides a wonderful demonstration of the availability of good taste across the United States. The museum’s permanent collection gives us strong concepts of beauty, particularly of the geometrical variety, which transcend the more generic intuition of what is a beautiful image as we receive it from
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Paul Cezanne Retrospective @ Art Institute of Chicago
Paul Cezanne’s retrospective at The Art Institute of Chicago displays many of his later yearly works. These works demonstrate a noteworthy transition in the continuity of the Western Fine Arts Tradition, away from scenes of intense and vivid religiosity towards the mundane and bromidic. His artworks seldom strain to make efforts at capturing something forcefully
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‘Echoes’ by Sarah Gilfillan @ Sarah Brook Gallery
Ms. Sarah Gilfillan introduces us to an extension of surreal self-reliance with her abstract forms with her ‘Echoes’ opening at Sarah Brook Gallery. Her ideas are emblematic of her time in the desert meditation on the “rude”-as Thomas Carlyle would describe the desert – or crude simplicity in form. The simple and base tones, in
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