Art Review

Photography Group Show @ 3C Gallery Collective (Los Angeles Makery)

The ability for the photographer, no, the artist, to begin to transcend the lens has a terrifically captivating entrance. Ms. Lori Pond‘s expanse into the play of light with photographic material at 3C Gallery Collective (jointly with Los Angeles Makery), introduces more and more in contemporary fine art photography a sculpting of hard media, film;

‘Islands in the Air’ Group Exhibition @ Cheremoya

In a moving ensemble of an eclectic combination of works, typically on the gentler side of scale, Cheremoya presents to the public that extension of imaginary goodness which is absent the stirring of confusion, which can be the failed aim at vainglory in presenting goodness to the subjective lens. These coyish, if not diminutive pieces

‘Back to Earth’ Group Show @ Roberts Projects

In an amazing display of works veritably earthed with their media, Roberts Projects exhibits a remarkable display of taste in the proper affirmation of what precedes and transcends man’s temporal power. For it is typical to be gridlocked in the labyrinth of civilized order, to lose sight in the conscious mind of the timeless. For

‘Eyes, Mouth, Wings’ ft. Marty Williams @ North Loop West

In the new exhibit opening by North Loop West, Marty Williams shines in the positive refinement of craftsmanship involved in the detailing of such a complexity of intricate media detailing a successful addition of high art. For that danger, that risque, of assembling the medley of his, most noticeably, wood, along with the delicate parchment

‘Reading the Flame(s)’ by Alan Pulner @ NOON Projects

Mr. Alan Pulner revisits the themes of queerness neglected in an age of such global acceptance In his Reading the Flame(s) exhibition at NOON Projects. In the ideas he shares, there is a constancy in the playfulness of the word-choice “flame”; with its characteristic derision of the “flaming f__got” he depicts in media with an

‘Under The Lazy Sun’ Group Show @ La BEAST Gallery

With an exhibition of a plurality of artists representing a summertime mood at La BEAST Gallery, two capture the success of that aire of levity; an attitude absent the lachrymose. Aaron Johnson’s, in the words of the gallery owner, “psychedelic intimacy”, portrays an originality in the viscosity of colors which he shapes into abstract beauty.

‘Caribbean Stages’ by Alexandre Arrechea @ Simard Bilodeau Contemporary

Señor Alexandre Arrechea provides an idea of honor, dare I say love, of his native Cuba with a testimony to its inescapable coral reefs with his Caribbean Stages exhibition at Simard Bilodeau Contemporary. His sculptural history translates an experience and relation to space which moves the optics of the viewer with his oils and pronounced

‘Visions Unfold’ by Richard Chow @ SubTerra Gallery

Mr. Richard Chow has hit it out of the park at SubTerra Gallery. In a further creative extension for fine art photography, with the inventive foreplay of ultraviolet sunbathing to magically enchant the silverscreen of archival pigment from a sturdier age, in a time that relished the timeless, the fine artist has typified his true

‘The Touch, the Amulet and the Saltation’ by Sadie Benning @ Vielmetter Los Angeles

Sadie Benning introduces a plasticity to paint with their choice colors and figures in their opening at Vielmetter Los Angeles. The, if I dare say, “taffiness”, of the experience of their art, provides a sumptuous mastication upon the mind’s eye in experiencing a novelty of beauty. And it is here with these abstract movements of

‘The Calligraphy of Absence’ ft. Pilar Agüero-Esparza at Patricia Sweetow Gallery

Must the civilized be pretentious? Why cannot originality be found in the organic warmth of natural mistakes of rough lines to a human eye? And yet, are leather and leather tones, which is so geometrically stretched to bring more efforts of a returning amidst the civilized splash of regimentation dimension. Perhaps it is in measure

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