The Cider House Rules
Are the turns of a simple life crucially important to tell? The Cider House Rules answers in the affirmative, yet we are left scratching our heads as to what is meant by the display, other than the eponymous “heart-felt”. In other words, this is female cat-nip in the same vein as Steel Magnolias. The
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Shrink
Everyone has problems. Coping is a symptom of the human condition then. And how one copes is as unique as the individual. In the case of the Shrink that occupies the title of the film, that coping is copious amounts of marijuana. It is a near constant stream of inhaling marijuana cigarettes, in between
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The Hunger Games
Dystopias where the world is not covered in darkness are refreshing to experience. Particularly when as part of the machination of the dystopic there is a strong stratification of society. In fact, as strong as can be: the lower castes are forced to sacrifice their children in a pagan tribute to the state. It’s
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Chinatown
Power displays itself interestingly in the human species. Enough is never enough. Perhaps it is its mere exercise which captivates the beholder into creating a world that bows to them, prostrates to their self as if it is some invulnerability. How quaint, then. As Solomon was solemnly reminded, this too shall pass. But until
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This Must Be the Place
There seems to be a recurrent theme of boredom attached to prosperity in cinema. One might even suggest that it is a form of contempt for the nature in which such individuals fall into such “wretched” situations. It does, after all, put in place the absurdity of the efforts to acquire material wealth, which is
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He Was a Quiet Man
In films like this which depict the anxiety of a meaningless, self-described “weak” person, there is often the emotion of revulsion than there is of empathy. The characters seem to just wither away by the ordeal of living a life, and their inability to calculate what makes them most happy. Even if it can be
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