by Joseph A. Hazani September 8, 2017
Richard Chow’s latest opening was a phenomenal chance to see his evolution as an artist, toward his current status of invoking in a Promethean manner new structural conceptions. He was able to do so in a sublime manner of capturing realistic geometries but through photographic magic birthed a dreamy, almost Platonically-inspired, form of the triangle with his Into the Light | Windows. It is a....
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by Joseph A. Hazani August 27, 2017
Rhinoceros explores in the purest sense the struggle between the individual and the herd. This is particularly so with the concept of morality in one man, but extenuating to the politics of mankind. There is a delicate balance between acting principally yet doing so communally. At what point is it considered selfish and misbehaving, rather than valiant? Why is individuality, to be....
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by Joseph A. Hazani June 11, 2017
The most prominent element to Messy’s artworks is that their compositional material is primarily sprayed paint. One’s first impression of aerosol paint is that of a street artist, using urban locales and other people’s property as their canvases of panoramic, visceral murals of creative typographies. The fact that here Messy is able to refine its use, condensing it to such relatively....
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