Tennessee Williams most consistently is a playwright that does not direct the audience toward any landing point. His plots start, and they end, with the continuity between the points being the travails and tempestuousness of, marvelously, the ordinary human life. It is to say, we can see Mr. Williams as an egalitarian, demonstrating that the common man, and not the special, nor the elite, nor the....

Room is an inventive drama, exploring in a very professionally artistic fashion the horrors of something worse than slavery and entrapment, but something that can only be described as a living hell; of a young woman taken captive and forced to live in a shed for more than seven years with no contact with the outside world. Elegantly, the film does not let the audience catch on to what exactly....

Duchamp to Pop attempts to link the emergence of the Pop Art phenomenon to Marcel Duchamp, the undoubtedly pioneering French artist who fed off of a shock and awe campaign of altering the definition of art, away from a purely aesthetic effort. We might consider Duchamp then the originator of artistic expression that is not requisitely beautiful. And this is a consistent movement once we notice....