Aswhini Bhat has a revelation. In the ‘17 Northern California Tubbs fire, where her habitat, if not sanctuary, was torched, through that natural procession of more than the mere change - but one of cosmic significance which coincided with her own movement; yet unguided they both are? There the artist is free to authenticate the circumstances of the burning and to more than inform but to....

In what is otherwise a dynamic exhibition of works of oil, with that proud display of scale in composition, Mr. Jin Meyerson’s Safe Space at Perrotin Los Angeles helps with the boldness of colliding forces that interact on the canvas and in the mind’s eye. The, if not kaleidescopic kinetics that utterly burst onto the scene, with a healthy not dangerous element of jagged that propels the....

The ability for the photographer, no, the artist, to begin to transcend the lens has a terrifically captivating entrance. Ms. Lori Pond's expanse into the play of light with photographic material at 3C Gallery Collective (jointly with Los Angeles Makery), introduces more and more in contemporary fine art photography a sculpting of hard media, film; paper; &c which moves the precepts of the....