In what is otherwise a dynamic exhibition of works of oil, with that proud display of scale in composition, Mr. Jin Meyerson’s Safe Space at Perrotin Los Angeles helps with the boldness of colliding forces that interact on the canvas and in the mind’s eye. The, if not kaleidescopic kinetics that utterly burst onto the scene, with a healthy not dangerous element of jagged that propels the....

The ability for the photographer, no, the artist, to begin to transcend the lens has a terrifically captivating entrance. Ms. Lori Pond's expanse into the play of light with photographic material at 3C Gallery Collective (jointly with Los Angeles Makery), introduces more and more in contemporary fine art photography a sculpting of hard media, film; paper; &c which moves the precepts of the....

In a moving ensemble of an eclectic combination of works, typically on the gentler side of scale, Cheremoya presents to the public that extension of imaginary goodness which is absent the stirring of confusion, which can be the failed aim at vainglory in presenting goodness to the subjective lens. These coyish, if not diminutive pieces nevertheless absorb the subjective mind with a pleasant....