by Joseph A. Hazani September 2, 2022
Mr. Jimmy Edgar introduces to us digital art forms which appropriately generate a positive critique of digital art itself at the Non-fungible token (NFT) art gallery Vellum LA. The question of eternity is raised when work that is purposefully commercial ergo transactional is contemporaneously celebrated; when not the aim of permanent goodness is being achieved but temporary gratification,....
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by Joseph A. Hazani August 28, 2022
Tanya Leighton introduces us to a new sense of ordering with Mr. Andrew Kuo’s TMI opening. The desire to represent a vivid palette admixed with cerebral musings characteristically portrays New York Fine Arts in the best light. Without being too clever, Mr. Kuo is able to achieve a level of difficulty in needing to balance beauty without snark in his fragmentation of colors in his canvases.....
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by Joseph A. Hazani August 19, 2022
Sculpture at LA Louver presents us with a superbly eclectic blend of sculptural media which make concerted efforts at self-reliance in their craftsmanship. The media range from ceramic, wood, metal, stone, porcelain, in a range of intricacies in presenting what is best described as attempts at creating the beautiful idea. That permanently memorable extension which is attempting to strike at the....
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