Ginny Casey presents us with a surrealist motif in her Nino Mier Gallery opening Trap Door. Each of her compositions presents a clever diorama of what can be described as “set-pieces” of human objects and in a positively less cryptic style than what is prototypically Surrealist. We do not, for instance, find the bizarre and the confusing pressure-cooker of a Dalí, for example. Ms. Casey is....

The Fortoul Brothers, attempting to strike a primordial nerve with their sun-drenched murals in Phoenix, have translated their aims on a more intimate scale with their first Los Angeles show at No Free Bread Gallery revealing their fine artistry.   There is a rustling in contemporary culture between the fabrications of man around the designs of nature, and in this late industrial age....

With Zevitas Marcus’ latest opening, Daniel B. Dias most poignantly coyly and playfully critiques our contemporary society head-lurching over blue screens with his eponymous exhibition. We have faint resemblances of surreal gestures which intensify the odd absurdities of our current lives being over-powered with electronic power, no doubt changing our sense of being human, which Mr. Dias is....