by Joseph A. Hazani March 21, 2018
In Charlie Kaufmann’s Anomalisa, the last whimpers of Nietzsche's Last Man are seen visible. His is the nadir of the Christian faith and the imperiousness of Christendom which gave the world the momentum to lift it to heights not before imaginable. This was done with the elevation of the ceiling of the pagan Nature to what Schopenhauer deigns the “supersensuous”, with the limits now being....
Continue reading
by Joseph A. Hazani March 15, 2018
Amidst the glorious cinematic kinetics which makes P.T. Anderson the most enjoyable of contemporary directors, Phantom Thread is a softer step taken when matched with the filmmaker’s historical march. Speaking to the aesthetic first, it is not so self-involved with painting majestic cinematic sequences of human vivacity. I find this to be disappointing, as the commotion he so elegantly is able....
Continue reading
by Joseph A. Hazani March 14, 2018
(Through May 5th, 2018) ‘Caution’ is consistent with Lois Lambert Gallery’s opening history. Much like Molding a Hard Rock, the artist Martiros Adalian takes a radical approach to stereotypical Western fine art portraitures, imbuing them with a sense of irreverence through the use of brightly colored textures and action with the irrational painted layers sporadically layered.....
Continue reading