by Joseph A. Hazani September 20, 2017
What was most attractive with the Moiré Fringe opening, and of the Santa Monica Art Studios in general, was the intrepidness in exhibiting sculptural artworks. Contemporary sculptural art is in indeterminate ground, an unfortunate victim of the transience of post-modernism’s general blemish upon High Art and the objective of discerning a fundamentally aesthetic piece; not one that is....
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by Joseph A. Hazani September 17, 2017
In a very challenging play, Carmen Disruption is a meditation on the dispossession of contemporary human life. Most especially is the disconnection between humans in a society. It’s a very intriguing thought to ponder the fact a city society is comprised of a multitude of strangers to one another. How close and yet how far apart each one is from resembling anything like a community or village....
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by Joseph A. Hazani September 13, 2017
With a blizzard of art in the twilight of summer, the Bergamot Station demonstratively fulfilled its ambitions as an outpost on the edge of Western Civilization for High Art. There was a cornucopia of splendor with at least a dozen art galleries simultaneously holding openings. And the materials and subject matter were various, though there was a constant theme of Latin American art....
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