Art Review

Kayne Griffin was gracious enough to exhibit the pseudo-psychedelica of a mid-century artist Kiki Kogelnik, most renowned for her pop-artistry. The expansive imaginary elements to her gaping canvases is something befitting for contemporaneity and the smorgasbord of scintillating imagery which seeks to extend the mind of the subject beyond the quotidian. And yet, her compositions

In Shulamit Nazarian’s Intersecting Selves opening, Ms. Ebony G. Patterson testifies to the incalculable craftsmanship which is the celebration of being human. When juxtaposed to the consideration of how many lives now flow through digital electronics invisibly interwoven, Ms. Patterson gives the public her own idea of an intersection of the cosmic precipitation of terrestrial

Pictures do not do justice to the fastidiousness of Mr. Fisher’s new exhibition Seas at Ochi Projects. The minute yet impeccably mastered compositions – most are painted under one and a half square feet – have one confident theme: the sea and its arrival to shore. One might imagine the subject matter to be derivative,

With the re-opening of the Broad Museum after the world historical COVID-19 pandemic, the vacuum of artistic sunlight and the bitter coldness was rekindled with the beautiful demonstration of new works of art exhibited from the collection’s archive. Most resonant with the unearthing of more of the Broad’s collection were Lichtenstein pieces which provided ample

Out of the cabin rambunction of Los Angeles pandemic containment, the Brittany Davis Gallery’s Thinking of You Art Show demonstrates jovial relaxation in the artists efforts to permeate the sunlight once again. Stupendously, we have an overwhelming wallop of positivity versus melancholy, as this unfortunate natural catastrophe has invoked in many.     Most outstanding