by Joseph A. Hazani November 9, 2017
There were two openings side by side at the Los Angeles Brewery artist colony last Sunday. I was invited by Carla Viparelli to the first one, where she was debuting new artwork which stressed an unlikely historical harmony. She did so by creating a representation of Western antiquity through the visualization of broken archaeological ceramic shards with the preciousness of the contemporary....
Continue reading
by Joseph A. Hazani November 3, 2017
The artist Kim Dingle housed 4 exhibition series at Susan Vielmetter, with the best works radically experimenting with the audience’s foreground space and investigating the nature of aesthetic reproduction. When speaking of “reproduction”, it is meant that the nature of originality with art, or with anything for that manner, is examined. We take a picture, for instance, of a “Kodak....
Continue reading
by Joseph A. Hazani November 1, 2017
House of Sand and Fog would have been an interesting tragedy of failed potential and the struggle between two parties to be the tallest in a snake pit. But the film is riddled with at-best saccharine dramatic movements and unintelligent plot mechanics which renders the work abjectly atrocious despite the laudable acting performances. In the film, we have a series of misfortune, with....
Continue reading