by Joseph A. Hazani November 3, 2017
The artist Kim Dingle housed 4 exhibition series at Susan Vielmetter, with the best works radically experimenting with the audience’s foreground space and investigating the nature of aesthetic reproduction. When speaking of “reproduction”, it is meant that the nature of originality with art, or with anything for that manner, is examined. We take a picture, for instance, of a “Kodak....
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by Joseph A. Hazani November 1, 2017
House of Sand and Fog would have been an interesting tragedy of failed potential and the struggle between two parties to be the tallest in a snake pit. But the film is riddled with at-best saccharine dramatic movements and unintelligent plot mechanics which renders the work abjectly atrocious despite the laudable acting performances. In the film, we have a series of misfortune, with....
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by Joseph A. Hazani October 26, 2017
Everyday People defines the “every man” as notably urban, and notably impoverished. Impoverished in the sense that if he lost his job, he would be barren. While this film was produced at the beginning of the 21st century, it is statistically precise and echoes the famed Ehrenreich Nickel and Dimed progressivist memoir of, not so much a working class, but a servile class within America.....
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