by Joseph A. Hazani April 30, 2022
In an irreverent and highly conceptualized play, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney by Lucas Hnath and Directed by Peter Richards at Odyssey Theatre Ensemble helps bring us into the imaginary world of a man whose imagination is his dominion. It is in the exercise of his imaginary faculties which give so many children timeless memories of joy, of play, of....
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by Joseph A. Hazani April 23, 2022
When Weeds Bloom portrays a collection of artworks by Mr. Pieter Jennes at Nino Meir Gallery that, in a word, achieve the difficult feat of balancing the mirthful with the somberness of neutral gray tones. We do not have an ecstasy of jubilee, yet we simultaneously do not have dreariness in the universal setting of what amounts to a taciturn reflectance of Antwerp grey as his “carnivalesque”....
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by Joseph A. Hazani April 9, 2022
In a presentation of a clear extension at originality, Ms. Franziska Goes at Moskowitz Bayse Gallery demonstrates to us the concept of self-reliance in forming a transcendental object through her self-reflectance upon the Natural elements. It is in her amalgam of Natural form with a vexing balancing act of imbuing her compositions with technical elements, to give rise to an appropriate....
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